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2 comments

  1. what is nuked

  2. It’s a term used for “there is something wrong with the quality of the release”, usually a “PROPER” will follow a “NUKED” release. The proper (usually) fixes whatever was wrong with the originally nuked release.

Type

Label

Rarity


Cam

“CAM”

Very Common


A copy made in a cinema using a camcorder, possibly mounted on a tripod. The sound source is the camera microphone. Cam rips can quickly appear online after the first preview or première of the film. The quality ranges from terrible to very good, depending on the group of persons performing the recording and the resolution of the camera used. The main disadvantage of this is the sound quality. The microphone does not only record the sound from the movie, but also the background sound in the cinema. The camera can also record movements of the audience in the theater, like when someone stands up in front of the screen.


Workprint

“WP”
“WORKPRINT”

Very Rare


A copy made from an unfinished version of a film produced by the studio. Typically a workprint has missing effects and overlays, and may not be identical to its theatrical release. Some workprints have a time index marker running in a corner or on the top edge; some may also include a watermark. A workprint might be an uncut version, and missing some material that would appear in the final movie. Note that the index timer is below the frame in the image.


Telesync

“TS”
“TELESYNC”

Very Common


Contrary to popular belief, the video quality of a TS is not necessarily better than a cam. The term Telesync doesn’t indicate better video quality but better audio quality. The CAM source is then synchronized with a secondary audio recording, either done with a professional microphone in an empty cinema (even though by Scene Rules this would be nuked since the audio is not direct, they are hard to tell the difference), fed directly from the cinema’s sound system, or captured from an FM radio transmission intended for hearing-impaired customers. Often, a “Cam” is mislabeled as a telesync.


R5

“R5″

Fairly commonplace, popularity currently increasing.


The R5 Line is a retail DVD from region 5. Region 5 consists of Eastern Europe (Former Soviet Union), Indian subcontinent, Africa, North Korea, and Mongolia. R5 releases differ from normal releases in that they are a direct Telecine transfer of the film without any of the image processing. They take the information from the DVD disc and sync it to an English version of the film, usually a previously released version.


Screener

“SCR”
“SCREENER”
“DVDSCR”
“DVD-SCREENER”
“VHS-SCREENER”

Fairly rare; more common before R5


These are early DVD or VHS releases of the theatrical version of a film, typically sent to movie reviewers, Academy members, and executives for review purposes. A screener normally has a message overlaid on its picture, with wording similar to: “The film you are watching is a promotional copy, if you purchased this film at a retail store please contact 1-800-NO-COPIES begin_of_the_skype_highlighting 1-800-NO-COPIES end_of_the_skype_highlighting to report it.” Apart from this, some movie studios release their screeners with a number of scenes of varying duration shown in black-and-white. Aside from this message, and the occasional B&W scenes, screeners are normally of only slightly lower quality than a retail DVD-Rip, due to the smaller investment in DVD mastering for the limited run.